"Hark I Hear the Harps Eternal" is a shape-note hymn. In mid-eighteenth century America, shape-note singing originated out of a desire to assist people who were largely musically illiterate in singing music on sight. The basic idea was to give people a visual cue as to the note of the scale they were singing (based on four-syllable solfege):
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Shape-note singing sessions still exist around this country, many of which work out of the Sacred Harp tradition.
The rousing arrangement of "Hark I Hear the Harps Eternal" I sang years ago and will be spending the next few Monday nights singing is by choral music legend, Alice Parker. Here is an excerpt--I couldn't find a YouTube recording with the audio clarity I wanted so that you would be able to hear the crisp articulation of the lower voices. I love the rhythms Parker uses--it takes the song to a whole new level.
This recording is by the San Francisco Symphony Chorus under the direction of Vance George from the CD, 1900-2000--a Choral Journey through the 20th Century.
2 comments:
Do you have the Custer Larue version with the Baltimore concert? Very different, but I like it a lot.
I would have expected it to be on The True Lover's Farewell (Appalachian Folk Ballads), even though it's a hymn, not a ballad. But no, I don't appear to have that one. I haven't picked up their latest recordings for some reason--now I have a reason to!
But--does LaRue sing it slowly? That's the one thing I can't stand.
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